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Christian Mengele

United States

The Noble Soul


Art: The Noble Soul by Artist Christian Mengele
The Noble Soul". I used a technique I've only rarely used before with this latest piece. I'm glad I was able to work on this painting because I'm going stir crazy most days and I needed to do this. There is no need to be alive except for living life the most fulfilling way you can. This is my view anyway. However, this is not to say that I'm a hedonist. There is a difference between living meaningfully, and living to satisfy animal urges. A hedonist is not motivated by a desire to live his own human life, but by a wish to live on a sub-human level. This explains why so many insanely rich people find no happiness in life. I cannot live without happiness, and no man can be happy without true fulfillment of his soul. I had used, in this painting, a quotation which I removed completely and now lies under layers of acrylics, enamel and oil pastels. I removed it because of my disagreement with the philosophy of its author, Friedrich Nietzsche. Philosophically, Nietzsche is a mystic and an irrationalist.His metaphysics consists of a somewhat “Byronic” and mystically “malevolent” universe; his epistemology subordinates reason to “will,” or feeling or instinct or blood or innate virtues of character. But, as a poet, he projects at times (not consistently) a magnificent feeling for man’s greatness, expressed in emotional, not intellectual, terms. This is especially true of the quotation I had chosen. I could not endorse its literal meaning: it proclaims an indefensible tenet—psychological determinism. But if one takes it as a poetic projection of an emotional experience (and if, intellectually, one substitutes the concept of an acquired “basic premise” for the concept of an innate “fundamental certainty”), then that quotation communicates the inner state of an exalted self-esteem—and sums up the emotional consequences for which The Fountainhead provides the rational, philosophical base: “It is not the works, but the belief which is here decisive and determines the order of rank—to employ once more an old religious formula with a new and deeper meaning,—it is some fundamental certainty which a noble soul has about itself, something which is not to be sought, is not to be found, and perhaps, also, is not to be lost.—The noble soul has reverence for itself.—” (Friedrich Nietzsche, Beyond Good and Evil.) This view of man has rarely been expressed in human history. Today, it is virtually non-existent. Yet this is the view with which—in various degrees of longing, wistfulness, passion and agonized confusion—the best of mankind’s youth start out in life. It is not even a view, for most of them, but a foggy, groping, undefined sense made of raw pain and incommunicable happiness. It is a sense of enormous expectation, the sense that one’s life is important, that great achievements are within one’s capacity, and that great things lie ahead. It is not in the nature of man—nor of any living entity—to start out by giving up, by spitting in one’s own face and damning existence; that requires a process of corruption, whose rapidity differs from man to man. Some give up at the first touch of pressure; some sell out; some run down by imperceptible degrees and lose their fire, never knowing when or how they lost it. Then all of these vanish in the vast swamp of their elders who tell them persistently that maturity consists of abandoning one’s mind; security, of abandoning one’s values; practicality, of losing self-esteem. Yet a few hold on and move on, knowing that that fire is not to be betrayed, learning how to give it shape, purpose and reality. But whatever their future, at the dawn of their lives, men seek a noble vision of man’s nature and of life’s potential.

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