It originated in Photoshop and I challenged myself to improve on the altered photograth. I believe that I succeeded; the depth of the piece cannot be appreciated in a 2 dimensional photograph.
For some time I have been fascinated with looking through frameworks, probably because of my photography background. I wanted the viewer to feel the contrast between hard and soft, warm and cold as expressed through the colors. I want to make you feel as if this is a door through which your imagination can carry you.
You can also view or interpret this painting in other ways: I composed it so that it can be hung any one of four ways, each one offering a completely different interpretation. As in many of my other paintings, I use a diagonal composition . The technique used in this painting is mulitple glazing to add depth and richness of color.
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