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  Think Pink: A Fundraiser for the Susan G Komen Foundation  
Show Opened:  10/1/2007Online Art Show:  Think Pink: A Fundraiser for the Susan G Komen Foundation
Entry deadline has passed.
Voting Ended:  11/8/2007

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Art: Monthly Ritual by Artist Donna Gill Colestock
"Monthly Ritual"
Donna Gill Colestock
Member's
Choice


Art: Pink Lady by Artist Kris Jean
"Pink Lady"
Kris Jean
Member's
Mention


Art: Flamingo Moon - AVAILABLE by Artist The Lone Beader
"Flamingo Moon - AVAILABLE"
The Lone Beader
Patron's
Choice


Art: Chrysanthemum 2 by Artist Lisa Thornton Whittaker
"Chrysanthemum 2"
Lisa Thornton Whittaker
Patron's
Choice


Art: Losing Heart by Artist Diana Maus
"Losing Heart"
Diana Maus
Patron's
Choice


"Chrysanthemum 2"

Art: Chrysanthemum 2 by Artist Lisa Thornton Whittaker
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(Detail Image)

Detail Image

  
 
 
Media:  Oil on Canvas
Dimensions:  12" x12"
Date of Work:  2006

Winner
Patron's Choice

This painting was not originally painted for the "THINK PINK" show, but I entered it anyway quite frankly to have a reason to donate more to the fund raiser.

The amount of pink paint as well as the variety of pink paint I had to mix for this painting was incredible! The eye and mind see this flower and simply think “PINK!” However, there is so much more to the color of this flower. This pink flower has dozens of colors – green shadows, blue undertone, yellow highlights, etc. I loved this mum because it was a usual spring-like shade of pink rather than the more common muted fall colors.

Like most of my stills, I chose a black background, but opted to fill the canvas with petals to really showcase the pretty flower and the elegance of its elements. This flower was a challenge because the close vantage required special care in setting up the composition. Unlike most of my work, I endeavored to portray a very calm scene rather than one with energy rushing off the canvas. Nevertheless, because of my affinity for rich saturated colors I believe the best I achieved was reserved enthusiasm, lol!

With this painting I started with a rather detailed drawing, giving contour lines to even the smallest gradations in colors. It was important to me to retain the reality of the form and color but finely introduce the sensation of calmness through the quality of line and composition.