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Monday
Art: Daytona Pier by Artist Nathan John Strother
"Daytona Pier"
Nathan John Strother

Tuesday
Art: ON THE WAY TO THE PIER by Artist Carol F. Austin
"ON THE WAY TO THE PIER"
Carol F. Austin

Wednesday
Art: Nags Head Fishing Pier by Artist Cary Dunlap Daly
"Nags Head Fishing Pier"
Cary Dunlap Daly

Thursday
Art: Fishing Pier by Artist James Stratton
"Fishing Pier"
James Stratton

Friday
Art: Pier 2 by Artist Margaret D Helthaler
"Pier 2"
Margaret D Helthaler

Saturday
Art: Fairhope Pier, Fairhope, Alabama by Artist Sharon Lyn Jones
"Fairhope Pier, Fairhope, Alabama"
Sharon Lyn Jones

Sunday
Art: pier reflections by Artist W. Kevin Murray
"pier reflections"
W. Kevin Murray

Art of the Day: 08/01/2008
This Week's Theme:   Piers
 

pier
-noun
1.a structure built on posts extending from land out over water, used as a landing place for ships, an entertainment area, a strolling place, etc.; jetty.

There are large piers and small piers. They are found on the shores of oceans, rivers and lakes. They are used as landmarks when on the beach or water. Piers are a good spot to fish, feed the gulls or sun. When it's really sunny and hot, if you go underneath the big ones, you will find cool shade.

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"Pier 2"

Art: Pier 2 by Artist Margaret D Helthaler
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Media:  pigment giclée on canvas
Dimensions:  18x24
Date of Work:  2007

This delicately toned pinhole photograph captures the graphic shape of a boardwalk against the soft texture of sand and sky on an early spring day in Wildwood, New Jersey. Pinhole photography is a primitive form of the medium that does not use a lens. My camera is made out of black mat board and duck tape and is fitted with a 4x5 Polaroid back. The beauty of pinhole photography is that it gives you unlimited depth of field (objects in the foreground have the same focus as objects in the far background.) This unique characteristic distorts the sense of space and scale so that small areas can appear much larger - a brook can look like a river, a puddle like a pond. Also, the camera has no viewfinder and exposure time is a bit of a guessing game - so there is a huge element of chance in what kind of image you capture. I scan the original 4x5 Polaroids at a very high resolution and add a hint of color. The overall result is a grainy, soft-focused image that is reminiscent of Pictorialism.

Artist:
Margaret D Helthaler  View this Artist's Profile
New York, USA
  
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     2003          2004          2005          2006          2007          2008          2009     
<< First Theme     < Prior Theme     Theme 243 of 312     Next Theme >     Last Theme >>
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