Criticism.

I don't know about you, but I'm not comfortable giving criticism on the record. I tend to be short (harsh) with my words and sometimes struggle to make them sound diplomatic.

As a member of Toastmasters, I am often called upon to evaluate speakers. At first, I hated this job. But I have recently become comfortable in the role. Not because I enjoy being critical, but because it has made me a better thinker, listener, and all-around observer. It has also forced me to work on the language I use.

Artists, too, are called upon to critique one another in both formal and informal situations. When faced with this, try the Oreo® Approach, which I learned about in Toastmasters.

As you know, the Oreo® is a cookie with two chocolate wafers on the outside and light, creamy filling on the inside. When you're critiquing someone, think of the chocolate wafers (the parts that hold the whole together) as praise. The fluffy stuff in the center is where you can offer room for improvement.

For example . . . your critique might go like this (highly abbreviated version):

Chocolate wafer (praise): Julia, I really like your use of complementary colors in the composition. They make the image "pop."

Fluffy stuff (room for improvement): I'm wondering, though, if it might be better without that tree on the left. Or perhaps toning down the green would allow me to focus better on the center. You might also consider changing the mat color. I think white would be a better choice in this instance. The red, for me, detracts from the collage itself.

End with another chocolate wafer (praise): Boy, your craftsmanship is terrific! I'd love to hear about the adhesive you're using.

What are your experiences with giving or getting criticism?

What can you share with other artists in these situations? We're blogging about it! Post your comments to http://www.artbizblog.com

KNOW THIS----------~> Criticism is necessary for improvement.

THINK ABOUT THIS---~> Learning to be a good, fair critic will help you in your own work as well.

DO THIS------------~> Try the Oreo® approach next time you are asked for your opinion. Better yet, start practicing now. Next time you visit a festival, gallery, or museum, practice by taking notes on 1) a work of art you love; 2) a work of art you really don't care for; and 3) a work of art you're indifferent about.

Portfolio reviews and website critiques are also available.

EBSQ is pleased to publish Alyson's work as a regular feature to the EBSQ Zine.